July evening, the first good weather since March. March. For 3 months we huddled under grey skies in front of glaring screens, staring bemused at long range forecasts. When the weather came it was like a spell – that strange figure of speech ‘a spell of good weather’ suddenly making sense. Even then the world seemed oddly deserted, as if people didn’t trust what they were seeing.
Winchester Hill was ablaze – the low lying barley fields almost painful on the eyes. As I climbed, the ground released trapped heat; it pooled around my feet which burned in a state of surprise.
July, the last of the bird song. Skylarks, the strange whirr of the yellowhammer, the chuck of blackbirds. Over everything the calls of the lambs and the dry answering barks of the ewes; and behind this, the evaporating roar of planes, so high in the blue as to look like bone shards. Goldfinches peep and tinkle, dashing between low stands of wind-beaten hawthorns. No people. No people.
I enter a chase of yews, the light colder out of the sun. Ivy-clad trunks, lichen-clad. The sheep are incessant. To the right, a meadow, knee deep in sorrel and grass over which hover ragged globes of midges. To the left a fallow field smoulders; a few lone poppies totter in the light breeze. The field edges are a tangle of brambles and bindweed; boulders of chalk the size of fists, the size of giants feet, line the path margins. A spooked pigeon rises, angling into the sun.
A gravel riverpath at the foot of the hill. I have been here in winter when it is often impassable; now in this wettest of summers it rushes and chatters across the stones, inviting hot feet. I splash for a time then climb the steepening sides into a field of crops. Last of the sun: light slants across the plant heads, illuminated strands of webs like fine hammock strings between the individual stands of wheat – out of the sun they become invisible, in its glare they are like retreating filaments of bowed crystal. The water is just in earshot, a comforting babble. A green woodpecker yaps, sheep call across the pasture. Jackdaws call, abed in a stand of oaks, their cries like answering chimes, answering in a higher register.
Back into the hollow way of the riverpath, the sun dips behind Beacon Hill. Heat-trapped smells rise in the cooling air. Months of rain have saturated the ground so even in this landscape of drained chalk there is the smell of damp, of rot, of contained water. In the crook of a massive three-trunked ash I pause and listen to the onrushing stream.
Nearing the end, I realise my boots are like autumn boots, winter boots – mud-clagged and heavy. A new moon through the crown of a thinning ash. A buzzard cries. The swollen river flows faster than I can walk.